Parody As Film Genre

Author: Wes D. Gehring
Publisher: Greenwood Publishing Group
ISBN: 9780313261862
Size: 37.35 MB
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Gives parody its deserved place in film history, by defining the genre, differentiating it from satire, and demonstrating how a well-executed spoof provides an educational blueprint of its target genre.

Film Parody

Author: Dan Harries
Publisher: British Film Institute
ISBN: 9780851708027
Size: 74.55 MB
Format: PDF, Mobi
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Film Parody is the first major book on one of the most prolific and profitable modes of contemporary film-making.

Parodie Trifft Filmtheorie

Author: Sabine Buchholz
Publisher: GRIN Verlag
ISBN: 3638898210
Size: 57.46 MB
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des Ausdruckes8 haben Theoretiker bisweilen zahlreiche Definitionsansätze
hervorgebracht, die versuchen, die Gattung – meist als literarische Form, seltener
auch als Filmgenre – einzugrenzen. ... 11 Vgl. Genette, Palimpsete, S. 47; vgl.
auch Rose, A Parody: Ancient Modern and Post-Modern, S. 41. 12Vgl. Gehring,
Parody as Film Genre, S. 13. 13Die aktuellste Wallace-Parodie ist die deutsche
Produktion Der Wixxer. (Vgl. 14Rick Altman: Film/

Mel Brooks In The Cultural Industries

Author: Alex Symons
Publisher: Edinburgh University Press
ISBN: 0748664505
Size: 23.70 MB
Format: PDF, ePub, Mobi
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perception was also captured in a 1996 retrospective article for Empire by Jeff
Dawson, in which he quotes Brooks describing his brand of parody as 'years
ahead of its time'.161 Typically, Dawson also adds: 'a good idea then, but in the
age of mass-produced Naked Guns and Loaded Weapons and Fatal Instincts,
not the novelty it once was'.162 Following the end of Brooks's career as a film
director in 1995, the trend for hybrids of film and television content in the parody
genre has ...

Film Comedy

Author: Geoff King
Publisher: Wallflower Press
ISBN: 9781903364352
Size: 18.39 MB
Format: PDF, ePub, Docs
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Comedy is one of the most popular forms in film. But what exactly is film comedy and what might be the basis of its widespread appeal? This book takes a multi-perspective approach to answering these questions.

Studying Hot Fuzz

Author: Neil Archer
Publisher: Columbia University Press
ISBN: 0993238416
Size: 69.59 MB
Format: PDF, Kindle
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In this first critical study of arguably the most influential British film-makers to emerge this century, Neil Archer considers to what extent a modestly funded film such as this can be considered ‘British’ at all, given its ...

Joe E Brown

Author: Wes D. Gehring
Publisher: McFarland
ISBN: 9780786483518
Size: 57.30 MB
Format: PDF, ePub
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_____. Mr. Deeds Goes to Yankee Stadium: Baseball Films in the Capra
Tradition. Je›erson, North Carolina: McFarland, 2004. _____. Parody as Film
Genre: “Never Give a Saga an Even Break.” Westport, Connecticut: Greenwood, ¡
999. _____. Personality Comedians As Genre: Selected Players. Westport,
Connecticut: Greenwood, ¡997. _____. Populism and the Capra Legacy.
Westport, Connecticut: Greenwood, ¡995. _____. Romantic vs. Screwball
Comedy: Charting the Di›erence.

Film Genre

Author: Barry Keith Grant
Publisher: Wallflower Press
ISBN: 9781904764793
Size: 66.35 MB
Format: PDF, Kindle
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This volume offers a concise evaluation of film genre, discussing genre theory and sample analyses of genre films, from the western, science fiction and the musical through to horror, comedy and the thriller.

Sith Slayers Stargates And Cyborgs

Author: John R. Perlich
Publisher: Peter Lang
ISBN: 9781433100956
Size: 71.12 MB
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»CHAPTER TEN» Of Structures, Stories, and Spaceballs: Parody as Criticism of
Genre Film and Myth Beth E. Bonnstetter* In their highly influential essay on
genre and rhetoric Campbell and Jamieson (1978/2000) declared, "the rhetorical
forms that establish genres are stylistic and substantive responses to perceived
situational demands" (p. 416). Genre in film is no exception. Although they
undoubtedly respond to many different situational demands, one of the more
salient functions ...

Film Genre Reader Iii

Author: Barry Keith Grant
Publisher: University of Texas Press
ISBN: 0292701853
Size: 79.80 MB
Format: PDF
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Genre. Corral: Problems. in. the. “Evolution”. of. the. Western. TAG. GALLAGHER.
“The Western,” writes Thomas Schatz in Hollywood Genres, “is without question
the richest and most enduring genre of Hollywood's repertoire.”1 Without
question it ... After citing Christian Metz to the effect that westerns, from 1939 to
1959 or so, progressed, as audiences and filmmakers grew increasingly “self-
conscious,” from “classic” treatments, to “parody,” to “contestation” (straining the
conventions), ...